Showing posts with label Philip Kerr. Show all posts
Showing posts with label Philip Kerr. Show all posts

Tuesday, 19 July 2011

Holiday Reading

I never read quite as much as I plan too when away on holiday, usually distracted by the interesting places we try and visit, often vineyards and restaurants. But this year I especially enjoyed the books I did read while touring around France from Saint Valery Sur Somme to Limoges to Carcassonne and on to Burgundy. Three weeks of sun (mainly) great sites and good food and wine. Although as usual, I did end up desperately craving an English breakfast and a Chicken Madras.

Heading south to Folkestone I was reading my second Dalziel and Pascoe book by Reginald Hill, Exit Lines. Good, solid, old fashioned no-nonsense police stories set in the mythical Mid-Yorkshire Constabulary. None of your tough policewomen balancing bringing up ten kids, while looking after a waster husband who resents her success, while solving crimes her male colleagues are too stupid to even recognise. Neither are they smooth, politically correct metrosexuals mincing around chasing nasty criminals guilty of smoking in public, homophobia, sexism or any other 'ism'. No, the characters are flawed but warm and the settings are down to earth and gritty. Indeed, if read in the middle of a long holiday in foreign parts their Englishness could bring on a serious bout of homesickness.

My next book was the first Howard Jacobsen I have read, The Making of Henry. My big regret on reading this book was that I had left it so long to read a Howard Jacobson book. Another northern lad Jacobson mixes his northern bluntness with his soul searching Jewish angst. The book is everything I enjoy in the works of Jewish writers, not to mention the films of Woody Allen. "Am I the only one who feels like this?". "Why do they all appear comfortable in their environments, unlike me?".

A highly evocative, sometimes highly amusing, often semi-biographical examination of the human psyche that Jewish writers seem especially adept at, maybe because of their frequent feeling of being 'outsiders'. I often get the feeling that they often have to study themselves, their families and their communities in order to make their way in an often hostile world. Likewise to beat the all too frequent prejudice of non-Jewish society, writers such as Jacobson are extremely sharp in their study and observation of society generally in order to assimilate.  All this comes together to produce a novel full of wry observation of human nature through characters that even now, I would love to jump from the pages of the book so that I could have a chat and a coffee with them.

For somebody with an abiding passion for European history I couldn't go away without a Bernie Gunther novel, wonderfully written by Philip Kerr. The One From The Other is the fourth in the Bernie Gunther series and finds our German detective in Munich in 1949. In this book the character has come of age. Kerr seems much more at ease with Bernie than in the first three, which I also enjoyed immensely, and the novel flows nicely with factual characters and events adding real depth to the colours in the book.

The novel twists and turns and ends, as ever, in a quite unexpected, but highly entertaining way. Where next for Bernie Gunther? I don't know but I can't wait to find out when I start the next episode. But that will have to wait until I've finished, and reviewed, the book I started on the way back to Blighty.

That's all for now. Enjoy the rest of summer!

Thursday, 5 May 2011

Book Review: Berlin Noir by Philip Kerr

Maybe it's because I love travel, history and the darker side of life that I enjoyed reading this trilogy so much. Berlin Noir is the first three in a series of books written by Philip Kerr about Berlin detective Bernie Gunther. These three, March Violets, The Pale Criminal and A German Requiem are set in pre-war Berlin and post-war Vienna.

The books superbly create the atmosphere of the times and to someboy interested in history, especially German history in the first half of the twentieth century, the books are especially evocative. I have read few books about day to day life in Nazi Germany and these books added an extra depth to my understanding of life under the Nazis. The mood of the time is portrayed every bit as vividly as the great Patrick Hamilton writing about Britain in the same era.

Gunther is a fairly typical detective, highly moral, down to earth and slightly down at heel. His life is as battered by the events of the time as everybody else's was, which is the special attraction of these books. Issues of the time are confronted and the totalitarianism and anti-Semitism of Nazi Germany is confronted head on, with Gunther often being turned to for help by Jewish clients. But this isn't done in a mawkish or sermonising way, which makes the underlying message all the more powerful.

The plots are intricate but not confusing and the characters in the stories, from Gunther to post-war American intelligence operatives, are believable and real.  Personal lives and problems make these stories stand apart from many novels of the same genre, but again Kerr doesn't overplay or sentimentalise these aspects of his characters so the book never veers too far away from the crime/political thrillers that they so wonderfully are.

In fact my wife is considering starting one of my many Scandinavian crime novels by way of an introduction to the world of the foreign detective novel, maybe Bernie Gunther would be a fine introduction as she shares my love of European history. I would happily recommend Philip Kerr's books to her and to anybody else looking for crime stories that are not your run of the mill affairs. I look forward to starting on Kerr's fourth Gunther novel in the not too distant.